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LYRICS SAIYAAN KAILASH KHER TV
He then moved to Mumbai in 2001, singing jingles for various TV and radio commercials. His early influences included spiritual music, folk songs of North India, and classical music (especially Pandit Kumar Gandharv). Now in his late 30s, Kailash Kher appeals to a wide range of Indian society, and has a huge fan following abroad as well. “ Including you sitting there, you with the tie,” he said, singling out an attendee in the ‘VIP’ section. “ Divinity is in love, everything else is bakwaas (nonsense),” he said.įor his last song he called on everyone to dance. His Sufi messages drew the most applause. “ The time for this performance is very short,” he said, taking a dig at the stifling government regulations and ‘moral police’ in India who insist that live entertainment and pubs shut down at the ridiculously early hour of 10 pm or 11 pm, an absolute dampener for the live music industry. He invited a couple of girls to join the band on stage for a dance, and seven girls eventually joined him. He endeared himself to the Bangalore audience by saying that the people and weather of Bangalore were perfect for music, and he even said a few words in the local language Kannada. “ Half of life today is pretentious anyway, don’t waste the other half,” he joked.
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“ Don’t focus just on branding and marketing, you must also cultivate a sense of corporate social responsibility,” he told the students in the audience. Kailash Kher has had hits in Bollywood as well, which has won him admiration from the indie scene for being successful in both areas.
LYRICS SAIYAAN KAILASH KHER MOVIE
“ Let us focus not just on movie music but indie music also,” he urged the audience, taking a gentle dig at the Bollywood industry which dominates much of the Indian popular music scene. “ English is the first most confused language in the world,” he joked. Kailash Kher and his band Kailasa - Photo by Madanmohan RaoIndeed, at the Bangalore performance Kailash Kher revealed not only his creative edge and infectious energy, but his humorous side and social awareness, delivered in irreverent “Hinglish” while bouncing and jumping around the stage. He also performed in support of the recent Anna Hazare anti-corruption movement. against human trafficking, child labor, global warming). “There must have been at least 7,000 people in the audience,” event organiser Vasundhra Jain told me she said Kailash Kher was chosen as the headliner for their Unmaad Festival because he is not only a commercially successful singer but also keeps his independent and innovative edge, and is involved in social causes (eg. The songs Teri Deewani and Na Batati Hu drew huge applause, as well as Tu kya jaane and the title track from his latest release, Rangeele. In each track Kailash Kher’s soaring vocals and earthy style shone through, right from the opening tracks Dilruba and Aoji down to the closing pieces Allah ke bande and Saiyyan. The global mix included rock (instruments, chords), Middle Eastern flavours (darbuka, saz), Indian percussion (tabla, pakhawaj, bhangra dol), reggae and Sufi vocals (with incantations to Allah depiction of human love as an instance of divine love). Kailash Kher and his band Kailasa - Photo by Madanmohan RaoThe band played a tight two-hour set with sixteen songs, covering everything from ballads to dance numbers. It was great to see Sankarshan Kini on stage as well (acoustic guitar, violin) he also used to be the classical music editor at Rave magazine while I was world music editor. Naresh Kamath on bass, Kurt Peters on drums, Sameer Chiplunkar on keyboards, and Sanket Nayak on percussion (tabla, darbuka, dol) provided solid energetic support. The stars then descended on the open-air stage at IIM-B grounds: Kailash Kher and his band Kailasa. But that’s getting ahead of the story a bit! The crowds began to fill in late in the evening as the crescent moon, Venus and Jupiter lined up in the east, and the stars of Orion filled the sky above. Roy’s instrumentation added a distinctly Middle Eastern flavor to the performance that evening. I chatted with lead guitarist Paresh Kamath who told me about the lineup for the concert, especially singling out Tapas Roy on mandolin and saz (long-necked Turkish string instrument). I left early for the venue to beat Bangalore traffic, and reached so early that I caught the band’s sound check. Kailash Kher, charismatic singer in the Sufi-rock style, proved yet again that he is right at the cutting edge of fusion music in India during his performance in Bangalore this weekend. Kailash Kher - Photo by Madanmohan RaoJanuary 28, Bangalore Your Connection to traditional and contemporary World Music, including folk, roots, global music, ethno and crosscultural fusions